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Posted at 20/01/2010, 08:16
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not that anybody will read this, but... there are spoilers. ^_^ this is a medium-length movie that's properly classified as a tragedy, in a sort of ironic sense. it subverts the traditional tragedy in several ways. unlike greek and shakespearean tragedies, it does not describe the ruin of some far-off king in a far-off time; rather, our ruined protagonist is a modern everyday mostly-unemployed independent cartoonist and filmmaker. while he's got friends and wit galore, he's pursuing that odd beast of love for the central part of the story. the end does not herald the death of all of the characters involved in the tragedy. and, finally, it subverts traditional tragedy by being defiantly unwilling to end on the emo final note that it presents, but it instead offers a hope for the future. as love frustrates our protagonist, he turns more and more into his music and the music of his friends, something enabled by the titular lionshare. the lionshare has several roles. in one, it is the only contact he has had with his lover since the date at the start of the movie; it represents her interests and a new world that she has drawn him into. he also shares back to the community when asked and we see him taking his lionshare gains onto cds specially marked with his lover's name. and the fruits of the lionshare become the poisoning (and later the elevation) of a friendship; they become the reconciliation of a son with his father; and they become part of the glue that binds friends together. the lionshare is an environmental influence of division and togetherness. the lionshare cruelly upends the film's other huge theme: private possession, something having value because it's shared among a small community. at first it's benign: the protagonist and his lover are unable to possess a copy of ghostbusters via any normal path, so they obtain it via the lionshare. then it becomes disturbing: the friend gets mad that his work-in-progress music has been given to the world by the protagonist, via the lionshare. a symbol of the protagonist's love, a band called applecurry, goes mainstream and gets radio-play, upsetting the protagonist. and finally, when the friend shares an in-joke (the "bear facts" in the film) with the lover, the protagonist insists, "you can't have that joke. it's my joke. it's not yours." -- thus souring an already-somewhat-tense moment. between these deep themes are some deep continuity errors. for example, the lover (eva) downloads the friend's (bracey)'s music from the protagonist (nick/nickorette), but then later claims that she didn't know that nick and bracey were friends. her screen-name is defined by her love of fictitious band applecurry, which drives nick to listen to them obsessively, but she kind of shrugs them off when they go popular, indicating that she wasn't really this sort of devotee in the first place; she's more of the stereotypical indie. the moment when the tension bursts into tragedy comes as bracey's band plays a small-but-milestone show. just as the nick, our protagonist says, "it obviously all works out" -- suddenly, the audience hears the dreadful line from bracey, "and, and... i... met... a girl, dude. i met a girl. she is awesome." and we know who it is, who she *has* to be. the wonderful thing that he shared with eva -- the relationship /qua/ possession -- has been shared with somebody else. and the tones of the conversations suggest that this is going to be eva's and bracey's second or third date, something that nick had been waiting the entire movie for. as this crushes love and possibly nick's friendship with bracey, nick crushes any chance that eva could join his group of friends. at home, the lionshare -- which would have fixed an ongoing issue between nick and his roommate -- falls apart amid the roommate's comment on eva's "smoking body". we see nick laugh under his breath, then bury his face in his hands. "you just knew it was gonna end this way, though." the film is not satisfied to end on this note of tragedy, though. the roommate, sensing that life must go on, drives his friend back to the real world. "come on, man, we'll make our own." one is not left feeling hopeless, and the seeds of long-term friendship weather the storm of emo angst. overall grade: b. the story is great, and the themes are delicious. the dialogue is realistic and funny but occasionally, you know, like, fuckin'... leaves something, like, to be fuckin' desired. the camera-work is occasionally a little too gritty, shaky, or dark -- the viewer is occasionally wondering whose viewpoint the camera is meant to represent when it's not meant to represent anybody's, and this is an error. |
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Posted at 21/01/2010, 04:26
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this movie is rubbish. so boring. it's not too bad for a first try, but my god, i was bored within the first 15 minutes. |
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Posted at 21/01/2010, 11:49
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| omg. lol! | |||||
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Posted at 21/01/2010, 11:51
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"frivolous unnecessary visits"?... "he makes good money"-"he can pay this"?... "why not get by on the bare minimum" ???????? lol! this guys got his nose stuck up his ass so badly i think hes high on it or some. i dont know you, sir, but i'll tell u this much: u've never had a true obsticle on your way to success in your whole life (despite what u might think urself), and its obvious you dont appreciate all the luck that has come your way. your iq is slightly higher than the average and u credit it (funny enough) for your winnings. u also dont know all the work of others, making u to what u are today, and u feel everybody else ows u something, even the ones close to u. sir, i hope u never learn and keep spreading ur "life-learnings" to everybody around u so they all can see what an ignorant f**k u are. gl @ the nursing home. |
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Posted at 22/01/2010, 16:03
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my dear checkster, to avoid filling up the page with reply posts i shall not post this as i direct reply. rule #1 when writing on the internet nobody will read ur posts if u keep using u rule #2 iq is an acronym and must therefore be capitalized (ironic isn't it?) rule #3 use spell-check, ows is not a word rule #4 at least get a job before you start talking about obstacles in life |
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Posted at 25/01/2010, 23:43
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yikes. i hope the author of the twatty promotional paragraph running on the main page doesn't think it will make anyone more likely to watch the film. it's illogically constructed, barely grammatical in places, and makes the filmmaker seem self- impressed and self-involved. if the creator of the film had anything to do with writing that paragraph, i truly fear for the script. |
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Posted at 09/02/2010, 14:40
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| this film was garbage. i have never watched such a shitty movie in my entire life. | |||||
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Posted at 09/02/2010, 14:41
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no, this movie gets a big ol' fail. |
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Posted at 11/02/2010, 00:30
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i couldn't stand the wingeing and the horrible acting. if i was that chick, on a date with that guy, it wouldn't be for long. i didn't make it ten minutes into this... don't put whiny, bad actors in a long first scene if you want people to watch your movie. 0/10 |
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Posted at 14/02/2010, 15:43
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| wrong thread | |||||
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Posted at 14/02/2010, 16:27
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it appears our reviewer, drostie, is the same one who wrote the pretentious and awful description of the movie on the home page, judging by grammar, punctuation, vocabulary, and word frequency. |
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Posted at 15/02/2010, 22:53
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| bear fact: shit movie. | |||||
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Posted at 16/02/2010, 13:23
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| wrong thread | |||||
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Posted at 17/02/2010, 08:14
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| wrong thread | |||||
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Posted at 24/02/2010, 12:57
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| wrong thread | |||||